During a two-year hiatus, Timberlake resolved his feelings on being unable to record any new material, and as he returned to record some new music, he began collaborating with his longtime record producer Timbaland , alongside the latter's colleague Danja. The album's contents were produced at Timbaland's Thomas Crown Studios. Comes Around ". Many music publications considered it among the best albums of the s. Aside from earning numerous best-of-the-decade lists, the album received several Grammy Award nominations, including Album of the Year and Best Pop Vocal Album , while its first four singles won in their respective categories.
Suddenly everyone was bringing AdjectiveBack. After an hour, with no lyrics written on paper, Timberlake recorded in the vocal booth a song that would become " What Goes Around At least four parodies gained attention such as "SweatyBack" and "HairyBack". Austrian Singles Twink shit . British Phonographic Industry. Dance Top 40 lista. Comes Sex back by justin timberlake behind-the-scenes. Media Control Charts. Retrieved August 25,
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It was released on July 18, , to US mainstream and rhythmic radio stations  by Jive Records as the lead single from the album.
It was released on July 18, , to US mainstream and rhythmic radio stations  by Jive Records as the lead single from the album. The instrumentation used in the song includes a pounding bass beat, electronic chords, and drum machine sounds.
Internationally, it became Timberlake's first single to reach number one in the United Kingdom. In Australia, the track was Timberlake's second number-one single, spending two consecutive weeks at the top.
The music video was filmed in June ; Timberlake decided to work with director Michael Haussman based on the latter's work on Madonna 's music video " Take a Bow ". Within three weeks, "SexyBack" was one of several songs that were recorded for the album,  having been recorded in less than a day.
Bill Pettaway played the guitar, his part taking only two minutes to record, while Darryl Pearson was the bassist. Both the guitar and bass were digitally imported in Pro Tools during mixing, and only a section of the guitar recording was copied and pasted throughout the song. Its just one of those 'flow off the top of your head' tracks, in terms of melody. We wanted to keep it loose and not too rehearsed, it's one of those very experimental records though.
That's the approach. Timberlake wanted to achieve the songs' "raw energy". That's really all I did. Everything's [ sic ] got so repetitive, everything sounds the same. I had to create something unique otherwise there's no point putting it out.
Timberlake's voice in the song is processed,  slowed down to where his voice is unrecognizable,  with muffled vocals. Douglas explained the title of the song, and how it affected the concept: "Justin [Timberlake] goes in the chorus 'Go head be gone with it', I called the song 'Be Gone With It', just to label it. So they're developing this song and they're going nuts and loving it, and as they play it, and I'm like: 'I don't think this hook is strong enough.
It just sounded like a nice opening to the song. Further in his report, Brooker opined that Timberlake "threatens us" by using "language so offensive" with the line, "You motherfuckers, watch how I attack".
In the Billboard magazine review of the album, contributor Katy Kroll wrote that Timberlake "claims to be bringing 'sexy' back to pop music, and indeed he is. He continues, "it's introduced a new phrase into the pop cultural lexicon". Suddenly everyone was bringing AdjectiveBack. Somehow, it works. We're just happy Justin brought it back safe and sound. You'd think it takes massive balls to do something like that, but given the shrill, squeaking vocals cheeping through his ghastly little gobhole, it's safe to assume he's got testes the size of capers.
He's practically a human dog whistle, the shrieking, high-pitched, mosquito-lunged ponce. Upon the song's release, it received divided opinions, which pleased Timberlake. The single debuted at number 90 on the Billboard Hot in July After climbing to number 31, it propelled to number one the following week. As of , the song has accumulated 6. In the United Kingdom, "SexyBack" debuted at number 13 on the UK Singles Chart based solely on download sales one week prior to its physical release,  and ascended to the top of the chart the following week, becoming Timberlake's first UK number-one single.
Comes Around " in both nations. Comes Around". It's so cool to shoot there, but the girls are also pretty hot, so that doesn't hurt either". Timberlake decided to work with director Michael Haussman, following his work on Madonna 's music video for " Take a Bow ". A lot of times, Madonna seems like she's the person in control, and in that video, she seemed vulnerable. It was a cool thing to see. It then cuts to Timberlake in a different room; then to a club scene and Timberlake in front of a white background.
The video alternates between those four viewpoints, with Timberlake and Anaya seeming to be spies in the hotel room and strangers in the club. At a certain point, Timberlake goes over to Anaya's room by jumping over to her balcony. Then when Anaya goes to check it out, Timberlake traps and passionately has sex with her.
In the club, it ends with Timberlake kissing Anaya in a bathroom stall. In the hotel room scene, Timberlake leaves by the same way he entered and moments later jumps to the next balcony before an explosion ensues. It ends with the figure of Anaya sitting in a chair beside a small television in which a kiss is frozen on the screen. Comes Around ". The indie rock band Rock Plaza Central gained attention for their radically different cover of "SexyBack", with brass-and-banjo roots-rock stylings.
Cartoon stars Weebl and Bob covered the song with their version " Pastry " including the refrain "I'm bringing pastry back". From Wikipedia, the free encyclopedia. Jive Zomba. A second sample of Justin Timberlake's "SexyBack" song where the song is built around a pounding bass beat, electronic chords, and beat box sounds.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
SOS Publications Group. Sound on Sound. Retrieved September 29, The Washington Post. August 27, Retrieved July 13, Archived from the original on Retrieved MTV News. Rolling Stone. The Weekend Mail : Los Angeles Times : E. The Sydney Morning Herald.
Entertainment Weekly. The Daily Telegraph Sydney : The Observer. London: guardian. The Sun Lowell. Richmond Times-Dispatch : G— The Detroit News : 08F. The Star-Ledger : Quick : Ventura County Star. The Georgia Straight. New York. Las Vegas Review-Journal : 33J. Justin Timberlake's bringing sexy back". The Guardian. The New Zealand Herald. The Age. The New York Times.
North by Northwestern. The Post. The Diamondback. The State Journal-Register : 2A. The Sunday Age : Herald Sun : Burlington County Times : 3D. Comes Around ' ". PR Newswire. Recording Industry Association of America. Music Purchases Exceed 1 Billion Sales". Business Wire. Music Week. April 13, Retrieved July 18,
Sex back by justin timberlake.
During a two-year hiatus, Timberlake resolved his feelings on being unable to record any new material, and as he returned to record some new music, he began collaborating with his longtime record producer Timbaland , alongside the latter's colleague Danja. The album's contents were produced at Timbaland's Thomas Crown Studios. Comes Around ". Many music publications considered it among the best albums of the s.
Aside from earning numerous best-of-the-decade lists, the album received several Grammy Award nominations, including Album of the Year and Best Pop Vocal Album , while its first four singles won in their respective categories. It has been certified multi-platinum in many countries worldwide, and has sold over 10 million copies, with four million in the United States. The album has been added to the Rock and Roll Hall of Fame 's musical library and archive.
It is also considered by critics and fans to be one of Timberlake's best albums to date. In the following years, Timberlake went partially idle in the music industry. In October , he hosted and was the guest musician on the late-night variety show Saturday Night Live , where he showcased his acting potentials. After the show, Timberlake was reportedly "inundated" with acting offers, which he readily accepted partly because he needed inspiration and did not want to pass up the opportunities.
According to him, he was concerned with how they would reinvent their music. Both producers were "impressed" by the live band-driven late-night shows Timberlake had participated in and wanted to incorporate this in his music. In , Timberlake felt inspired to record songs again. Motivated by the "sad state" of pop radio, he decided he needed to experiment with music. Timbaland had previously collaborated with Timberlake, producing four tracks for Justified including "Cry Me a River".
Once in the studio, however, the team had no clear direction for the album as there were no concepts being discussed. While in the studio, Timbaland played on the stereo plenty of songs by American singer and musician Prince for them to listen to. Early in their sessions, they reportedly were "fooling around" and "freestyling". Timbaland, who was at their side, added drums onto the progressing sound. After an hour, with no lyrics written on paper, Timberlake recorded in the vocal booth a song that would become " What Goes Around Let's go far left and just see what happens.
When production began, Jive Records Chairman and CEO, Barry Weiss , asked when the album would be completed, to which Timberlake replied that it could possibly take a year. For his new project, Timberlake collaborated with only few producers. On his collaboration with Timbaland, Timberlake asserted that they "have a very interesting connection" in music.
In three weeks, after that transitional moment with "What Goes Around Sessions for the album also saw Timberlake collaborating with Rick Rubin and will. For the production, they are credited as Jawbreakers, a production team of their own established during their collaboration for The Black Eyed Peas' album.
Timberlake suggested that the collaboration was meant to "do the anti-whatever-you-want-to-call-it that [Timbaland and] I came up with". Although Timberlake expressed interest in recording songs with rock influences, Timbaland was initially reluctant to pursue the idea because he was not accustomed to producing such music.
Danja revealed that it "changed the whole album",  and the energy derived from the song was sustained throughout the process.
I heard dance and techno and was always interested in it but didn't really know where to go. But I went to a club one night and saw that people were losing their mind to these dance tracks.
It wasn't really that I wanted to mimic that sound. I just wanted to have that energy and have people going crazy. The song "Sexy Ladies" takes on Minneapolis funk. Some songs were conceptualized within a relatively shorter time, while others took longer because Timberlake had wanted to incorporate variation.
For instance, the lyrics to "Losing My Way" were in a narrative style which took Timberlake longer to write. Rubin felt it was unusual for Timberlake because he requested the latter to write the lyrics first instead of recording it directly in the vocal booth. Comes Around". Comes Around" are thought to have similar meaning to "Cry Me a River".
In an interview, he revealed that the song was based on one of his friends' experience. Six major singles were issued from the album, led by " SexyBack " which was released on July 7, , two months prior to the publication of the album. Regarding the song, Timberlake surmised he did not sound like he did before.
Comes Around " in early January When the deluxe edition was issued, the duet version of " Until the End of Time " was also released in the same month.
The single version includes as its B-side the "Set the Mood Prelude ", which is juxtaposed with " Summer Love " in the album's track listing. In May , it was announced that Timberlake signed a deal with HBO network to broadcast the live concert. Comes Around" at the Madison Square Garden, Josh Tyrangiel of Time magazine ranked it second on its list of top ten live performances in Timberlake was nominated in the categories Top Tour, Top Draw and Breakthrough Artist;  he won the latter that was announced during the awards show on November 15, The main album included with the Deluxe Edition is the edited version; and an explicit version was not issued.
This was an attempt at finding solutions to declining sales in physical albums, and Timberlake's album was among those offered in various configurations and versions. Aside from the album itself, the project included digital versions, ringtones , wallpapers and individual tracks. Before, an artist's release was made available in less than ten formats. At Metacritic , which assigns a normalized rating out of to reviews from mainstream publications, the album received an average score of 70, based on 25 reviews.
Timberlake and Timbaland work together? In a mixed review, Uncut magazine found the album "laudable, but overreaching. The album earned numerous best-of lists in  and the following years. The publication notes that Timberlake "levitates into a falsetto that honors Prince and Michael Jackson without stealing from them". Rolling Stone ranked it 46th on their top albums of the s - calling it "an avant-garde sprawl of abstract electronica and hallucinatory space funk.
He also earned the Quadruple Threat Award, an accolade that recognizes those artists who have excelled in multiple media including music, fashion and acting. It became Timberlake's first number-one album as a solo artist.
He found that Timberlake was among those few "that successfully sells in every country around the world". In the United Kingdom, the album debuted at number one. For Timberlake, it further established his career as a solo artist. Aside from earning critical acclaim for the album, according to Sia Michel of The New York Times , Timberlake was responsible for popularizing in the catchphrase "I'm bringing sexy back",   which is culled from the lead single "SexyBack".
It spawned a "phenomenon" in which video-makers spoofed the song. At least four parodies gained attention such as "SweatyBack" and "HairyBack". For the publication, Timbaland writes, "It's as if Justin had been born 26 years ago to deliver music to the world. There are those who follow and those who lead. Justin is a leader, setting the bar for what's expected of others. Kelly and Usher. Today, the LP's influence can still be heard in everything from the worldly electro-soul of Zayn Malik to the moody sound of newcomers like Bryson Tiller.
The album also signaled Timberlake's transition from pop hitmaker and Hollywood It Boy to a legitimate force as a musician and actor. It changed the game.
A bold departure from the warm, synthesized soul that The Neptunes helmed on Justified , FutureSex was steely and sweaty, a universal dance opus that made room for intimacy.
The album had some of Timbaland's smartest work as a producer, with beds of elastic funk and electro-pop for Timberlake to roll around in. And still, to me, those are not the greatest achievements of Timberlake's album.
From Wikipedia, the free encyclopedia. This article is about the album. For articles with similar titles, see Future Sex disambiguation. Justin Timberlake.
Jive Zomba. Justin Timberlake also exec. We had no direction at all Retrieved February 11, Retrieved July 16, Rolling Stone. Retrieved February 13, Retrieved September 9, Retrieved January 8, Prometheus Global Media. Jann S. Archived from the original on January 21, Retrieved May 27, MTV News. Archived from the original on September 29, Retrieved September 11, InterMedia Partners.